Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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WTEWAEL, Joachim
Mars and Venus Discovered by the Gods wer

ID: 09771

WTEWAEL, Joachim Mars and Venus Discovered by the Gods wer
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WTEWAEL, Joachim Mars and Venus Discovered by the Gods wer


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WTEWAEL, Joachim

Dutch painter (b. 1566, Utrecht, d. 1638, Utrecht). Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest ('from the imagination') and naer 't leven ('after life'). Wtewael's activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate;  Related Paintings of WTEWAEL, Joachim :. | St Francis Giving his Cloak to a Poor Man | moulin de la galette | 17th-century | Parable of the Rich Man | Woman reading by lamp light |
Related Artists:
Costanzo da Ferrara
the period of 1465-1535
Hahn William
American Painter, 1829-1887
Ludovico Mazzolino
(1480 - c. 1528) - also known as Mazzolini da Ferrara, Lodovico Ferraresa, and Il Ferrarese - was an Italian Renaissance painter active in Ferrara and Bologna. He was born and died in Ferrara. He appears to have studied under such as Lorenzo Costa, who also trained Dosso Dossi and Cosimo Tura, and came under the influence of Ercole Roberti. In 1521 he married Giovanna, the daughter of Bartolomeo Vacchi, a Venetian painter. Much of his work was commissioned by the duke Ercole I d'Este from Ferrara. Mazzolino was influenced by il Garofalo and Boccaccino. He is known for devotional cabinet pictures, in a style somewhat regressive, or primitive, relative to the modern classicism then emerging. For example, his Massacre canvas has a turbulent and cartoonish crowding. The exact date, or even year, of his death is not known, but he died during a plague which devastated the area.






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